Mostrando postagens com marcador Ginger Baker. Mostrar todas as postagens
Mostrando postagens com marcador Ginger Baker. Mostrar todas as postagens

sábado, 23 de abril de 2016

Rick Grech - The Last Five Years



Rick Grech - The Last Five Years - 1973

from AMG
The late Rick Grech was given a unique retrospective by his label RSO Records, much like the rare 1971Winwood double LP on United Artists. The big difference being that the recalled UA package on Winwood had a lavish eight-page photo essay spread written by Bobby Abrams, while Grech's single LP contains one photo page with very little information on where the material came from. Eight of the nine songs are written or co-written by bassist Rick Grech, the one hold-out being Steve Winwood's "Sea of Joy." Now listen up history buffs, because AMG is the first publication to see this musical nugget myth in print. When the late Jimmy Miller was at the residence of this writer (who represented the producer for many years) looking over the vast collection of his work, he smiled when seeing "Sea of Joy" on a "best-of" Rick Grech. To paraphrase Miller as best as possible "The best of Rick Grech? It's Jack Bruce playing bass on "Sea of Joy"!" According to archivist John McDermott in the Blind Faith Deluxe Edition, the song is "highlighted by Rick Grech's striking violin work," that being true, "Sea of Joy" is certainly a key track on a Grech compilation -- but Jimmy Miller was absolute that Jack Bruce is performing on some of the Blind Faith material. Is this truly Cream meets Traffic? Perhaps only Jack Bruce, Steve Winwood, Ginger Baker, or engineer George Chkiantz know for sure, but it certainly adds some intrigue to a much revered song and album.

The Last Five Years is an extraordinary collection because it focuses on Rick Grech the songwriter as much as the journeyman. Where it fails is not in the music, but in the presentation. "Second Generation Woman" is taken from 1969's Family Entertainment album by Family, which contained three Rick Grech compositions. Track three here, "Face in the Cloud" is also from those sessions. The third composition from that Family disc, "How-Hi-The-Li," is track three on side two of this LP. "Kiss the Children," the second track, is from the 1972/1973 G.P. solo disc by Gram Parsons -- the diversity in Grech's work certainly worthy of better attention than just slapping the tunes on the disc with little commentary. "Just a Guest" was written solely by Grech and features the superb vocals of Rosetta Hightower, produced by Ian Green. It's such a great track, yet looking at the listing on the back cover, even hardcore fans would think it is Grech performing his own tune. This was licensed from Phonogram, most likely from Hightower's own record. It is followed by Ginger Baker's Air Force, the final track from that live double album produced by Jimmy Miller, the Baker/Grech piece "Doin' It." Side two opens with 1968's "Hey Mr. Policeman" from Family's Music in a Doll's House album, produced by Dave Mason. "Rock & Roll Stew" from Traffic's brilliant 1971 disc, Low Spark of High Heeled Boys is probably the track with the most recognition, next to "Sea of Joy.." And there you have it, the tracking information to what was a brilliant concept -- housing stunning performances from many of Grech's ensembles. The pity here is that the music is so good, a better presentation and package could have been a blessing to all involved. The Last Five Years is a brilliant collection of songs that can get you riled up over how labels treat precious art like this as so much "product" to be issued on a budget line like a Camden or Pickwick.

READ MORE HERE

01. Family - Second Generation Woman
02. Gram Parsons - Kiss the Children
03. Family - Face in the Cloud
04. Rosetta Hightower - Just a Guest
05. Ginger Baker's Air Force - Doin' It
06. Family - Hey Mr. Policeman
07. Traffic - Rock N' Roll Stew
08. Family - How - Hi - The - Li
09. Blind Faith - Sea of Joy






+@192

sábado, 28 de junho de 2014

Ginger Baker - Why?


















Ginger Baker - Why? - 2014

Famed as the powerful drummer who propelled the rock bands Cream and Blind Faith (among others), Baker is at least as steeped in jazz. He collaborated with Afrobeat icon Fela Kuti, and has led a jazz trio that also included guitarist Bill Frisell and bassist Charlie Haden. African-influenced jazz forms the backbone of Baker’s latest album, “Why?"

It’s a collection balanced between original material like the jaunty, polyrhythmic opener “Ginger Spice,” and Baker’s interpretations of Wayne Shorter’s “Footprints” and Sonny Rollins’ “St. Thomas.” There’s also “Aiko,” an adaptation of a Nigerian folk song. Baker recorded the album with his current touring band: saxophonist Pee Wee Ellis, bassist Alec Dankworth and percussionist Abass Dodoo, along with vocals contributions from Kudzai and Lisa Baker on the title track, which is billed as Baker’s deeply personal reflection on his life.

01. Ginger Spice
02. Twelve and More Blues
03. Cyril Davis
04. Footprints
05. Ain Temouchant
06. St. Thomas
07. Aiko Biaye
08. Why?







+@192

sábado, 6 de julho de 2013

Ginger Baker's No Material - Live in Munich 1987


















Ginger Baker's No Material - Live in Munich 1987 - 2011

from AMG
No Material consisted of Ginger Baker (drums), Nicky Skopelitis and Sonny Sharrock (guitars), Peter Brötzmann (sax), and Jan Kazda (bass). The band existed for less than a week in 1987. In the liner notes for the 1989 release of Ginger Baker's No Material album, Steve Lake closes by saying "I'm glad that No Material came together to nail down their non-repertoire in March 1987 and glad that their efforts  are now preserved for posterity to puzzle over. May the archivists now go and look for the Munich gig." Well, 20-plus years later,  here is the Munich gig: the first show ever performed by this semi-legendary band. As expected, the performance is absolutely fantastic.  Unfortunately, the recording is not. The biggest issue is the sound. While it's generally clear, the sound is thin and the high end (especially any cymbal work) sounds terrible. It sounds as if the CD was mastered from a compressed MP3 file. Then there's the way it's programmed. The brief interview excerpts follow the first two tracks, totally derailing the momentum of the show. The Sharrock bit is nice, if a bit out of place, but the Skopelitis excerpt adds absolutely nothing. Time must have been a factor because "Piece 3" fades out and back in somewhat clumsily. "Piece 5" is basically solo Sharrock, riffing on his own "Blind Willie" before fading out just shy of the two-minute mark.  It's a confusing way to end the album since there was clearly more music. Fans will want to hear this for sure, but they're likely to be somewhat  disappointed. 


01. Piece 1
02. Interview - Sonny Sharrock
03. Piece 2
04. Interview - Nicky Skopelits
05. Piece 3
06. Piece 4
07. Piece 5





Archive live release from the legendary British drummer. This set was recorded in 1987 at the Theartefabrik in Unterfohring in Munich and was literally a one off project with this band lasting no more than a week. As such it remains a unique document in Ginger's career and is in a sense one big "jam" with no apparent song titles, and played under the name "No Material".  

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Ginger Baker's No Material - Live in Munich 1987


















Ginger Baker's No Material - Live in Munich 1987 - 2011

from AMG
No Material consisted of Ginger Baker (drums), Nicky Skopelitis and Sonny Sharrock (guitars), Peter Brötzmann (sax), and Jan Kazda (bass). The band existed for less than a week in 1987. In the liner notes for the 1989 release of Ginger Baker's No Material album, Steve Lake closes by saying "I'm glad that No Material came together to nail down their non-repertoire in March 1987 and glad that their efforts  are now preserved for posterity to puzzle over. May the archivists now go and look for the Munich gig." Well, 20-plus years later,  here is the Munich gig: the first show ever performed by this semi-legendary band. As expected, the performance is absolutely fantastic.  Unfortunately, the recording is not. The biggest issue is the sound. While it's generally clear, the sound is thin and the high end (especially any cymbal work) sounds terrible. It sounds as if the CD was mastered from a compressed MP3 file. Then there's the way it's programmed. The brief interview excerpts follow the first two tracks, totally derailing the momentum of the show. The Sharrock bit is nice, if a bit out of place, but the Skopelitis excerpt adds absolutely nothing. Time must have been a factor because "Piece 3" fades out and back in somewhat clumsily. "Piece 5" is basically solo Sharrock, riffing on his own "Blind Willie" before fading out just shy of the two-minute mark.  It's a confusing way to end the album since there was clearly more music. Fans will want to hear this for sure, but they're likely to be somewhat  disappointed. 


01. Piece 1
02. Interview - Sonny Sharrock
03. Piece 2
04. Interview - Nicky Skopelits
05. Piece 3
06. Piece 4
07. Piece 5





Archive live release from the legendary British drummer. This set was recorded in 1987 at the Theartefabrik in Unterfohring in Munich and was literally a one off project with this band lasting no more than a week. As such it remains a unique document in Ginger's career and is in a sense one big "jam" with no apparent song titles, and played under the name "No Material".  

+256            
or
+256            

sexta-feira, 21 de junho de 2013

Bakerandband - From Humble Oranges


















Bakerandband - From Humble Oranges - 1982

Bakerband foi uma banda (de tantas) formada pelo ex-baterista do Cream Ginger Baker, junto com o guitarrista  Doug Brockie e o baixista Karl Hill.

Até gostaria de falar um pouco mais desse (quase) desconhecido único disco e da banda, mas não achei nada além do set-list e formação.

O disco traz um mix de rock/pop e blues (vale a pena conferir Sore Head In The Morning Blues). Musicalmente o trio é coeso e poderoso, como tudo que Ginger Baker montou, mas, para mim, os vocais não acompanham o mesmo nivel de qualidade.


01. The Eleventh Hour    
02 .Too Many Apples    
03. It        
04. Under The Sun        
05. On The Road To Grandma's House        
06. The Land Of Mordor        
07. This Planet        
08. Sore Head In The Morning Blues        
09. Wasting Time        
10. Lament        

Ginger Baker - Drums, Percussion, Keyboards, Vocals
Doug Brockie -  Guitar, Lead Vocals
Karl Hill - Bass Guitar, Vocals
+
Chris Gent - Tenor Saxophone








+@256

Bakerandband - From Humble Oranges


















Bakerandband - From Humble Oranges - 1982

Bakerband foi uma banda (de tantas) formada pelo ex-baterista do Cream Ginger Baker, junto com o guitarrista  Doug Brockie e o baixista Karl Hill.

Até gostaria de falar um pouco mais desse (quase) desconhecido único disco e da banda, mas não achei nada além do set-list e formação.

O disco traz um mix de rock/pop e blues (vale a pena conferir Sore Head In The Morning Blues). Musicalmente o trio é coeso e poderoso, como tudo que Ginger Baker montou, mas, para mim, os vocais não acompanham o mesmo nivel de qualidade.


01. The Eleventh Hour    
02 .Too Many Apples    
03. It        
04. Under The Sun        
05. On The Road To Grandma's House        
06. The Land Of Mordor        
07. This Planet        
08. Sore Head In The Morning Blues        
09. Wasting Time        
10. Lament        

Ginger Baker - Drums, Percussion, Keyboards, Vocals
Doug Brockie -  Guitar, Lead Vocals
Karl Hill - Bass Guitar, Vocals
+
Chris Gent - Tenor Saxophone








+@256