Mostrando postagens com marcador Noel Redding. Mostrar todas as postagens
Mostrando postagens com marcador Noel Redding. Mostrar todas as postagens

sábado, 21 de dezembro de 2013

Noel Redding Band - Clonakilty Cowboys & Blowin' (Re-Re-Post)


















Noel Redding Band - Clonakilty Cowboys & Blowin' - 1975 & 1976

By William Ruhlmann from allmusic.com
Clonakilty Cowboys
Former Jimi Hendrix Experience bassist Noel Redding's second attempt to lead a group (following Fat Mattress), the Noel Redding Band were more of a cooperative effort than their name would suggest. Redding may have been the organizing principal behind the unit, but David Clarke wrote or co-wrote almost all the material as well as singing lead vocals, while Eric Bell played lead guitar. Whoever dominated the band, however, their debut LP, Clonakilty Cowboys, was very much a British rock album of its time. There were hints here of the Faces and there of Mott the Hoople in a mainstream rock sound that seemed utterly familiar in the mid-'70s, but didn't much remind you of Redding's work with Hendrix. When Bell took off on his solo, for example, at the end of "Eight Nights a Week" (a paean to being a rock & roll star), his high-pitched work was out of Rock Guitar 101, but it had none of Hendrix's inventiveness. Maybe it's not fair to make such a comparison, but one falls into comparisons in discussing the music because it had little distinctive character of its own. As singers, neither Clarke nor Redding made it out of the rusty-voiced ranks of generic rock vocalists. Clonakilty Cowboys didn't make any noise on the charts and it didn't deserve to. Redding and company had made a fairly typical album for their time, but hadn't done anything that distinguished them from the pack.

01. There´s A Light
02. Throw Me A Buoy
03. After All
04. Roller Coaster Kids / Whatever Became Of The Children
05. Eight Nights A Week
06. Clonakilty Cowboys
07. Snowstorm
08. Born To His Name
09. If I Had
10. Gotta Move Awaya
  
Blowin´
Noel Redding emphasized his primacy in the band named after him on their second album, Blowin', putting close-up photographs of himself alone on the front and back covers, albeit with humorous intention. (He was pictured on the front blowing up a big bubblegum bubble and on the back with the burst bubble stuck to his nose.) He also took over production duties on the record and wrote a couple of songs on his own. But this was still a group effort on which lead singer and primary songwriter David Clarke took a prominent, if not dominant, role. The album rocked harder than its predecessor, Clonakilty Cowboys, and, recorded largely in the U.S., seemed to have more of an American, on-the-road feel, beginning with its opening track, "Back on the Road Again." But the Noel Redding Band were still a faceless, nearly generic rock group with a rusty-voiced singer mouthing rock & roll clichés and a standard-issue guitarist. Blowin' didn't sell any better than Clonakilty Cowboys had, and that was about the end of the Noel Redding Band.
 
11. Back On The Road Again

12. California
13. Yes It´s Alright
14. I´d Rather Go Blind
15. You Make Me Feel So Good
16. Take It Easy
17. Love And War
18. Before The Photograph
19. I`m Just A Sinner
20. Hold On To What You´ve Got




+@320

sábado, 25 de fevereiro de 2012

Noel Redding Band - Clonakilty Cowboys & Blowin' (repost)



















Noel Redding Band - Clonakilty Cowboys & Blowin' - 1975 & 1976


By William Ruhlmann from allmusic.com

Clonakilty Cowboys
Former Jimi Hendrix Experience bassist Noel Redding's second attempt to lead a group (following Fat Mattress), the Noel Redding Band were more of a cooperative effort than their name would suggest. Redding may have been the organizing principal behind the unit, but David Clarke wrote or co-wrote almost all the material as well as singing lead vocals, while Eric Bell played lead guitar. Whoever dominated the band, however, their debut LP, Clonakilty Cowboys, was very much a British rock album of its time. There were hints here of the Faces and there of Mott the Hoople in a mainstream rock sound that seemed utterly familiar in the mid-'70s, but didn't much remind you of Redding's work with Hendrix. When Bell took off on his solo, for example, at the end of "Eight Nights a Week" (a paean to being a rock & roll star), his high-pitched work was out of Rock Guitar 101, but it had none of Hendrix's inventiveness. Maybe it's not fair to make such a comparison, but one falls into comparisons in discussing the music because it had little distinctive character of its own. As singers, neither Clarke nor Redding made it out of the rusty-voiced ranks of generic rock vocalists. Clonakilty Cowboys didn't make any noise on the charts and it didn't deserve to. Redding and company had made a fairly typical album for their time, but hadn't done anything that distinguished them from the pack.

01. There´s A Light
02. Throw Me A Buoy
03. After All
04. Roller Coaster Kids / Whatever Became Of The Children
05. Eight Nights A Week
06. Clonakilty Cowboys
07. Snowstorm
08. Born To His Name
09. If I Had
10. Gotta Move Awaya
  
Blowin´
Noel Redding emphasized his primacy in the band named after him on their second album, Blowin', putting close-up photographs of himself alone on the front and back covers, albeit with humorous intention. (He was pictured on the front blowing up a big bubblegum bubble and on the back with the burst bubble stuck to his nose.) He also took over production duties on the record and wrote a couple of songs on his own. But this was still a group effort on which lead singer and primary songwriter David Clarke took a prominent, if not dominant, role. The album rocked harder than its predecessor, Clonakilty Cowboys, and, recorded largely in the U.S., seemed to have more of an American, on-the-road feel, beginning with its opening track, "Back on the Road Again." But the Noel Redding Band were still a faceless, nearly generic rock group with a rusty-voiced singer mouthing rock & roll clichés and a standard-issue guitarist. Blowin' didn't sell any better than Clonakilty Cowboys had, and that was about the end of the Noel Redding Band.
 
11. Back On The Road Again

12. California
13. Yes It´s Alright
14. I´d Rather Go Blind
15. You Make Me Feel So Good
16. Take It Easy
17. Love And War
18. Before The Photograph
19. I`m Just A Sinner
20. Hold On To What You´ve Got


+@320

Noel Redding Band - Clonakilty Cowboys & Blowin' (repost)



















Noel Redding Band - Clonakilty Cowboys & Blowin' - 1975 & 1976


By William Ruhlmann from allmusic.com

Clonakilty Cowboys
Former Jimi Hendrix Experience bassist Noel Redding's second attempt to lead a group (following Fat Mattress), the Noel Redding Band were more of a cooperative effort than their name would suggest. Redding may have been the organizing principal behind the unit, but David Clarke wrote or co-wrote almost all the material as well as singing lead vocals, while Eric Bell played lead guitar. Whoever dominated the band, however, their debut LP, Clonakilty Cowboys, was very much a British rock album of its time. There were hints here of the Faces and there of Mott the Hoople in a mainstream rock sound that seemed utterly familiar in the mid-'70s, but didn't much remind you of Redding's work with Hendrix. When Bell took off on his solo, for example, at the end of "Eight Nights a Week" (a paean to being a rock & roll star), his high-pitched work was out of Rock Guitar 101, but it had none of Hendrix's inventiveness. Maybe it's not fair to make such a comparison, but one falls into comparisons in discussing the music because it had little distinctive character of its own. As singers, neither Clarke nor Redding made it out of the rusty-voiced ranks of generic rock vocalists. Clonakilty Cowboys didn't make any noise on the charts and it didn't deserve to. Redding and company had made a fairly typical album for their time, but hadn't done anything that distinguished them from the pack.

01. There´s A Light
02. Throw Me A Buoy
03. After All
04. Roller Coaster Kids / Whatever Became Of The Children
05. Eight Nights A Week
06. Clonakilty Cowboys
07. Snowstorm
08. Born To His Name
09. If I Had
10. Gotta Move Awaya
  
Blowin´
Noel Redding emphasized his primacy in the band named after him on their second album, Blowin', putting close-up photographs of himself alone on the front and back covers, albeit with humorous intention. (He was pictured on the front blowing up a big bubblegum bubble and on the back with the burst bubble stuck to his nose.) He also took over production duties on the record and wrote a couple of songs on his own. But this was still a group effort on which lead singer and primary songwriter David Clarke took a prominent, if not dominant, role. The album rocked harder than its predecessor, Clonakilty Cowboys, and, recorded largely in the U.S., seemed to have more of an American, on-the-road feel, beginning with its opening track, "Back on the Road Again." But the Noel Redding Band were still a faceless, nearly generic rock group with a rusty-voiced singer mouthing rock & roll clichés and a standard-issue guitarist. Blowin' didn't sell any better than Clonakilty Cowboys had, and that was about the end of the Noel Redding Band.
 
11. Back On The Road Again

12. California
13. Yes It´s Alright
14. I´d Rather Go Blind
15. You Make Me Feel So Good
16. Take It Easy
17. Love And War
18. Before The Photograph
19. I`m Just A Sinner
20. Hold On To What You´ve Got


+@320

terça-feira, 18 de outubro de 2011

Cork - Speed Of Thought




  














Cork - Speed Of Thought - 1999


from AMG
Eric Schenkman left the Spin Doctors following the dismal performance of their second album Turn It Upside Down in 1994. He drifted for a few years, playing the occasional session, before returning in the pan-generation supergroup Cork in 1995. Essentially, Cork is simply Schenkman and former Mountain drummer Corky Laing, but for much of their debut album Speed of Thought, they're joined by bassist Noel Redding of the Jimi Hendrix Experience; whenever he doesn't appear, Schenkman handles the four strings. Cork apply jam band mentality to '70s hard rock. They turn up the volume, strengthen the attack, and make it blusey, while still concentrating on loose-limbed jams. The results are mixed, to say the least.


Read More HERE

Eric Schenkman - Guitar, Vocals
Corky Laing - Drums, Percussion, Vocals
+
Noel Redding - Bass, Back Vocals
Kostas - Guitar, Back Vocals
Lisa Thompson - Back Vocals

01. Hail Mary
02. Genuine
03. Pull That String
04. Bone Daddy
05. Midnight Rose
06. Waiting
07. Get the Picture
08. Falling
09. My My
10. Sin City
11. In This World


+@192

Cork - Speed Of Thought




  














Cork - Speed Of Thought - 1999


from AMG
Eric Schenkman left the Spin Doctors following the dismal performance of their second album Turn It Upside Down in 1994. He drifted for a few years, playing the occasional session, before returning in the pan-generation supergroup Cork in 1995. Essentially, Cork is simply Schenkman and former Mountain drummer Corky Laing, but for much of their debut album Speed of Thought, they're joined by bassist Noel Redding of the Jimi Hendrix Experience; whenever he doesn't appear, Schenkman handles the four strings. Cork apply jam band mentality to '70s hard rock. They turn up the volume, strengthen the attack, and make it blusey, while still concentrating on loose-limbed jams. The results are mixed, to say the least.


Read More HERE

Eric Schenkman - Guitar, Vocals
Corky Laing - Drums, Percussion, Vocals
+
Noel Redding - Bass, Back Vocals
Kostas - Guitar, Back Vocals
Lisa Thompson - Back Vocals

01. Hail Mary
02. Genuine
03. Pull That String
04. Bone Daddy
05. Midnight Rose
06. Waiting
07. Get the Picture
08. Falling
09. My My
10. Sin City
11. In This World


+@192

sábado, 9 de julho de 2011

Noel Redding Band - Clonakilty Cowboys & Blowin'



















Noel Redding Band - Clonakilty Cowboys & Blowin' - 1975 & 1976


By William Ruhlmann from allmusic.com

Clonakilty Cowboys
Former Jimi Hendrix Experience bassist Noel Redding's second attempt to lead a group (following Fat Mattress), the Noel Redding Band were more of a cooperative effort than their name would suggest. Redding may have been the organizing principal behind the unit, but David Clarke wrote or co-wrote almost all the material as well as singing lead vocals, while Eric Bell played lead guitar. Whoever dominated the band, however, their debut LP, Clonakilty Cowboys, was very much a British rock album of its time. There were hints here of the Faces and there of Mott the Hoople in a mainstream rock sound that seemed utterly familiar in the mid-'70s, but didn't much remind you of Redding's work with Hendrix. When Bell took off on his solo, for example, at the end of "Eight Nights a Week" (a paean to being a rock & roll star), his high-pitched work was out of Rock Guitar 101, but it had none of Hendrix's inventiveness. Maybe it's not fair to make such a comparison, but one falls into comparisons in discussing the music because it had little distinctive character of its own. As singers, neither Clarke nor Redding made it out of the rusty-voiced ranks of generic rock vocalists. Clonakilty Cowboys didn't make any noise on the charts and it didn't deserve to. Redding and company had made a fairly typical album for their time, but hadn't done anything that distinguished them from the pack.

01. There´s A Light
02. Throw Me A Buoy
03. After All
04. Roller Coaster Kids / Whatever Became Of The Children
05. Eight Nights A Week
06. Clonakilty Cowboys
07. Snowstorm
08. Born To His Name
09. If I Had
10. Gotta Move Awaya
  
Blowin´
Noel Redding emphasized his primacy in the band named after him on their second album, Blowin', putting close-up photographs of himself alone on the front and back covers, albeit with humorous intention. (He was pictured on the front blowing up a big bubblegum bubble and on the back with the burst bubble stuck to his nose.) He also took over production duties on the record and wrote a couple of songs on his own. But this was still a group effort on which lead singer and primary songwriter David Clarke took a prominent, if not dominant, role. The album rocked harder than its predecessor, Clonakilty Cowboys, and, recorded largely in the U.S., seemed to have more of an American, on-the-road feel, beginning with its opening track, "Back on the Road Again." But the Noel Redding Band were still a faceless, nearly generic rock group with a rusty-voiced singer mouthing rock & roll clichés and a standard-issue guitarist. Blowin' didn't sell any better than Clonakilty Cowboys had, and that was about the end of the Noel Redding Band.
 
11. Back On The Road Again

12. California
13. Yes It´s Alright
14. I´d Rather Go Blind
15. You Make Me Feel So Good
16. Take It Easy
17. Love And War
18. Before The Photograph
19. I`m Just A Sinner
20. Hold On To What You´ve Got


+@320 part 1/2
+@320 part 2/2
CD rip with art-cover

Warning: You need to download both parts to unpack.
Aviso: Baixe as duas partes para poder descompactar.

Noel Redding Band - Clonakilty Cowboys & Blowin'



















Noel Redding Band - Clonakilty Cowboys & Blowin' - 1975 & 1976


By William Ruhlmann from allmusic.com

Clonakilty Cowboys
Former Jimi Hendrix Experience bassist Noel Redding's second attempt to lead a group (following Fat Mattress), the Noel Redding Band were more of a cooperative effort than their name would suggest. Redding may have been the organizing principal behind the unit, but David Clarke wrote or co-wrote almost all the material as well as singing lead vocals, while Eric Bell played lead guitar. Whoever dominated the band, however, their debut LP, Clonakilty Cowboys, was very much a British rock album of its time. There were hints here of the Faces and there of Mott the Hoople in a mainstream rock sound that seemed utterly familiar in the mid-'70s, but didn't much remind you of Redding's work with Hendrix. When Bell took off on his solo, for example, at the end of "Eight Nights a Week" (a paean to being a rock & roll star), his high-pitched work was out of Rock Guitar 101, but it had none of Hendrix's inventiveness. Maybe it's not fair to make such a comparison, but one falls into comparisons in discussing the music because it had little distinctive character of its own. As singers, neither Clarke nor Redding made it out of the rusty-voiced ranks of generic rock vocalists. Clonakilty Cowboys didn't make any noise on the charts and it didn't deserve to. Redding and company had made a fairly typical album for their time, but hadn't done anything that distinguished them from the pack.

01. There´s A Light
02. Throw Me A Buoy
03. After All
04. Roller Coaster Kids / Whatever Became Of The Children
05. Eight Nights A Week
06. Clonakilty Cowboys
07. Snowstorm
08. Born To His Name
09. If I Had
10. Gotta Move Awaya
  
Blowin´
Noel Redding emphasized his primacy in the band named after him on their second album, Blowin', putting close-up photographs of himself alone on the front and back covers, albeit with humorous intention. (He was pictured on the front blowing up a big bubblegum bubble and on the back with the burst bubble stuck to his nose.) He also took over production duties on the record and wrote a couple of songs on his own. But this was still a group effort on which lead singer and primary songwriter David Clarke took a prominent, if not dominant, role. The album rocked harder than its predecessor, Clonakilty Cowboys, and, recorded largely in the U.S., seemed to have more of an American, on-the-road feel, beginning with its opening track, "Back on the Road Again." But the Noel Redding Band were still a faceless, nearly generic rock group with a rusty-voiced singer mouthing rock & roll clichés and a standard-issue guitarist. Blowin' didn't sell any better than Clonakilty Cowboys had, and that was about the end of the Noel Redding Band.
 
11. Back On The Road Again

12. California
13. Yes It´s Alright
14. I´d Rather Go Blind
15. You Make Me Feel So Good
16. Take It Easy
17. Love And War
18. Before The Photograph
19. I`m Just A Sinner
20. Hold On To What You´ve Got


+@320 part 1/2
+@320 part 2/2
CD rip with art-cover

Warning: You need to download both parts to unpack.
Aviso: Baixe as duas partes para poder descompactar.