Mostrando postagens com marcador Traffic. Mostrar todas as postagens
Mostrando postagens com marcador Traffic. Mostrar todas as postagens

sábado, 23 de abril de 2016

Rick Grech - The Last Five Years



Rick Grech - The Last Five Years - 1973

from AMG
The late Rick Grech was given a unique retrospective by his label RSO Records, much like the rare 1971Winwood double LP on United Artists. The big difference being that the recalled UA package on Winwood had a lavish eight-page photo essay spread written by Bobby Abrams, while Grech's single LP contains one photo page with very little information on where the material came from. Eight of the nine songs are written or co-written by bassist Rick Grech, the one hold-out being Steve Winwood's "Sea of Joy." Now listen up history buffs, because AMG is the first publication to see this musical nugget myth in print. When the late Jimmy Miller was at the residence of this writer (who represented the producer for many years) looking over the vast collection of his work, he smiled when seeing "Sea of Joy" on a "best-of" Rick Grech. To paraphrase Miller as best as possible "The best of Rick Grech? It's Jack Bruce playing bass on "Sea of Joy"!" According to archivist John McDermott in the Blind Faith Deluxe Edition, the song is "highlighted by Rick Grech's striking violin work," that being true, "Sea of Joy" is certainly a key track on a Grech compilation -- but Jimmy Miller was absolute that Jack Bruce is performing on some of the Blind Faith material. Is this truly Cream meets Traffic? Perhaps only Jack Bruce, Steve Winwood, Ginger Baker, or engineer George Chkiantz know for sure, but it certainly adds some intrigue to a much revered song and album.

The Last Five Years is an extraordinary collection because it focuses on Rick Grech the songwriter as much as the journeyman. Where it fails is not in the music, but in the presentation. "Second Generation Woman" is taken from 1969's Family Entertainment album by Family, which contained three Rick Grech compositions. Track three here, "Face in the Cloud" is also from those sessions. The third composition from that Family disc, "How-Hi-The-Li," is track three on side two of this LP. "Kiss the Children," the second track, is from the 1972/1973 G.P. solo disc by Gram Parsons -- the diversity in Grech's work certainly worthy of better attention than just slapping the tunes on the disc with little commentary. "Just a Guest" was written solely by Grech and features the superb vocals of Rosetta Hightower, produced by Ian Green. It's such a great track, yet looking at the listing on the back cover, even hardcore fans would think it is Grech performing his own tune. This was licensed from Phonogram, most likely from Hightower's own record. It is followed by Ginger Baker's Air Force, the final track from that live double album produced by Jimmy Miller, the Baker/Grech piece "Doin' It." Side two opens with 1968's "Hey Mr. Policeman" from Family's Music in a Doll's House album, produced by Dave Mason. "Rock & Roll Stew" from Traffic's brilliant 1971 disc, Low Spark of High Heeled Boys is probably the track with the most recognition, next to "Sea of Joy.." And there you have it, the tracking information to what was a brilliant concept -- housing stunning performances from many of Grech's ensembles. The pity here is that the music is so good, a better presentation and package could have been a blessing to all involved. The Last Five Years is a brilliant collection of songs that can get you riled up over how labels treat precious art like this as so much "product" to be issued on a budget line like a Camden or Pickwick.

READ MORE HERE

01. Family - Second Generation Woman
02. Gram Parsons - Kiss the Children
03. Family - Face in the Cloud
04. Rosetta Hightower - Just a Guest
05. Ginger Baker's Air Force - Doin' It
06. Family - Hey Mr. Policeman
07. Traffic - Rock N' Roll Stew
08. Family - How - Hi - The - Li
09. Blind Faith - Sea of Joy






+@192

sexta-feira, 14 de agosto de 2015

Dave Mason - Dave Mason is Alive!


















Dave Mason - Dave Mason is Alive! - 1973

Gravado em 1971 no "The Troubador" em Los Angeles, chegou às lojas em 1973 durante desacordos contraturais que Mason tinha com sua gravadora à época. Lançado sem a aprovação do músico, mal embalado e porcamente mixado, foi recebido com críticas mornas. 

O set é fortemente embassado no seu "Alone Together", mais "Walk To the Point" gravado originalmente com Cass Elliott e a eternamente clássica "Feeling Alright".

É um disco que até 2010 não havia ainda sido relançado por problemas de "copyright", quando ganhou uma versão em mini-disco japonês, que, aonde sei, encontra-se "out of print". A versão postada é uma que já roda na net há alguns anos, mas, com a derrubada de tantos links nos úlltimos anos, rareou-se também.

01. Walk To The Point
02. Shouldn't Have Took More Than You Gave
03. Look At You Look At Me
04. Only You Know And I Know
05. Sad And Deep As You
06. Just A Song
07. Feelin' Alright

Dave Mason - Guitar, Vocal
Mark Jordan - Keyboards
Lonnie Turner - Bass
Rick Jaeger - Drums
Felix Falcon - Congas and Percussion


+@192 vinyl rip

domingo, 11 de janeiro de 2015

Chris Wood (Traffic Former) - Vulcan


Chris Wood - Vulcan - 2008

Chris Wood was originally an art student when he met Steve Winwood with whom he formed Traffic in 1966 along with Dave Mason and Jim Capaldi. The original lineup of Traffic broke up in 1968, in that time Chris recorded with Jimi Hendrix, Small Faces, John Martyn, and Fat Mattress, as well as toured with Dr. John. The second incarnation of Traffic was an outgrowth of a Winwood solo album in early '70, where Capaldi & Wood were guesting, but eventually got released under the Traffic moniker as John Barleycorn Must Die. Wood stayed with the band until their final break-up in '75. Wood was working on a solo album, tentatively titled Vulcan, when he passed away due to pneumonia in '83.

The title can be traced to the song "Vulcan" (or "Moonchild Vulcan") that was recorded for, but left off When The Eagle Flies - Traffic's last album in 1974. The genesis of Chris's intended solo effort is unclear; in August of 1970 he seemingly had no such intentions, as he said (in Rolling Stone):

 "I'm not a song writer...my instrument is my voice...but it's hard to write songs that way". The first mention of the possibility seems to have been in 1973. Perhaps the outtake status of "Moonchild Vulcan" in early '74 gave him the push (and material) to start the project - it's also possible that Chris was reading 'the writing on the wall' in regard to Traffic's long-term future at that point as well, and felt the need to start to find his own path.. 




01. Moonchild Vulcan
02. See No Man Girl
03. Letter One
04. Indian Monsoon
05. Barbed Wire (Acoustic)
06. Birth in a Day
07. Sullen Moon
08. Barbed Wire (Band Version)
09. Wood's Bolero (Moonchild Vulcan) (Live, L'Olympia, Paris, France, 25th March 1974) *

* performed by Traffic




+@192

sexta-feira, 15 de fevereiro de 2013

Traffic - Live At the Hammersmith Odean

















 
Traffic - Live At the Hammersmith Odean 1970 - 2012

A postagem de hoje é patrocinada integralmente pelo parceiro Celso. Divirtam-se que é coisa fina e que não rola na net na base do 0800.

"Traffic Live At the Hammersmith Odean 1970" é mais um destes álbuns oferecidos digitalmente nas piores casas do ramo, tais como Itunes, 7digital, etc que deixam os compradores (e, consequentemente, seus fans) completamente sem nenhuma informação a respeito.

Pela qualidade da gravação, desconfio de que o áudio foi "remasterizado" a partir de um bootleg dos tempos do vinil (inclusive é possivel ouvir alguns estalos em alguns trechos). Todavia, isso não compromete a audição, cuja qualidade não é  ruim e seu valor como documento da fase mais criativa da banda justificou plenamente os trocados investidos. 

No tracklist, nota-se que quase todas as músicas de "John Barleycorn Must Die" estão presentes ( apenas "Stranger To Himself" ficou de fora). Esse fato fêz-me supor que o pessoal que participou deste show (incrivel que nem isso informam) seja Winwood, Capaldi e Wood e, creio, Reebop na percussão.


As músicas são:

01. Who Knows What Tomorrow May Bring?
02. No Time to Live
03. Every Mother's Son
04. Medicated Goo
05. John Barelycorn Must Die
06. Shoot Out at the Fantasy Factory (que nestas lojinhas está creditada como "Evening Blue")
07. Low Spark of High Heeled Boys
08. Pearly Queen
09. Empty Pages
10. Glad
11. Freedom Rider


No mais, é baixar e ouvir. Comentar não é necessário porque o blog não corre o risco de ser fechado por falta de babação (eu acho kkkkkkk) (*)  e minhas contas não são quitadas por essa forma  de pagamento.

* NB: Celso, não corre. Mas eu te agradeço.

+ @256

Traffic - Live At the Hammersmith Odean

















 
Traffic - Live At the Hammersmith Odean 1970 - 2012

A postagem de hoje é patrocinada integralmente pelo parceiro Celso. Divirtam-se que é coisa fina e que não rola na net na base do 0800.

"Traffic Live At the Hammersmith Odean 1970" é mais um destes álbuns oferecidos digitalmente nas piores casas do ramo, tais como Itunes, 7digital, etc que deixam os compradores (e, consequentemente, seus fans) completamente sem nenhuma informação a respeito.

Pela qualidade da gravação, desconfio de que o áudio foi "remasterizado" a partir de um bootleg dos tempos do vinil (inclusive é possivel ouvir alguns estalos em alguns trechos). Todavia, isso não compromete a audição, cuja qualidade não é  ruim e seu valor como documento da fase mais criativa da banda justificou plenamente os trocados investidos. 

No tracklist, nota-se que quase todas as músicas de "John Barleycorn Must Die" estão presentes ( apenas "Stranger To Himself" ficou de fora). Esse fato fêz-me supor que o pessoal que participou deste show (incrivel que nem isso informam) seja Winwood, Capaldi e Wood e, creio, Reebop na percussão.


As músicas são:

01. Who Knows What Tomorrow May Bring?
02. No Time to Live
03. Every Mother's Son
04. Medicated Goo
05. John Barelycorn Must Die
06. Shoot Out at the Fantasy Factory (que nestas lojinhas está creditada como "Evening Blue")
07. Low Spark of High Heeled Boys
08. Pearly Queen
09. Empty Pages
10. Glad
11. Freedom Rider


No mais, é baixar e ouvir. Comentar não é necessário porque o blog não corre o risco de ser fechado por falta de babação (eu acho kkkkkkk) (*)  e minhas contas não são quitadas por essa forma  de pagamento.

* NB: Celso, não corre. Mas eu te agradeço.

+ @256