Mostrando postagens com marcador Lee Harvey Osmond. Mostrar todas as postagens
Mostrando postagens com marcador Lee Harvey Osmond. Mostrar todas as postagens

quarta-feira, 22 de julho de 2015

Lee Harvey Osmond - Beautiful Scars


















Lee Harvey Osmond - Beautiful Scars - 2015

Produced by Michael Timmins (Cowboy Junkies) in the intimacy of his Toronto Roncesvalle studio, the humanity of the album is like the warmth of blood that rushes to the cut: a sudden alive jolt in the middle of peril and uncertainty; a suspension of possibility that anything can happen next. Redolent with swooning horns and guitars that bob and weave, Lee Harvey Osmond’s voice – forever the hallmark of his sound which spans over three decades of work – sounds, here, like a warm hand to the forehead, an arm on the arm of the stricken, a comforting growl at the heart of a screaming world.

At once evoking Howlin’ Wolf, Mike Scott and Roy Loney, Beautiful Scars bends and twists and stretches and squeezes Lee Harvey Osmond’s deep baritone – the producer treating it as if caged in a transistor radio, bathed in echo from above, or sunk in the muck of distortion. The strength of the songs notwithstanding, Beautiful Scars is a fascinating vocal journey to rank among the great sonic Canadian records of our time.

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01. Loser Without Your Love
02. Blue Moon Drive
03. Shake the Hand
04. Oh the Gods
05. Come and Go
06. Hey Hey Hey
07. How Does It Feel
08. Planet Love
09. Black Spruce
10. Bottom of Our Love





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sexta-feira, 23 de janeiro de 2015

Lee Harvey Osmond - A Quiet Evil


















Lee Harvey Osmond - A Quiet Evil - 2009

By Eric Risdon from Kevchino.com
Ever wonder what a lone, bad ass cowboy riding across the plain during a down poor in the pitch black of night would have playing on his iPod? Wonder no longer, Lee Harvey Osmond is here with a rotating posse of 17 strong, which even includes a few Cowboy Junkies. Tom Wilson (from Blackie and the Rodeo Kings) heads up this rugged band of Acid Folk’ pioneers for the bands first release, A Quiet Evil.

The album’s title more than sets the mood for the entire album. Lee Harvey Osmond’s stew adds pleasant portions of Cowboy Junkies, Velvet Underground, Neil Young and Morphine in with their own unique blend of simmering delights. Hypnotic, melancholy rhythms are complimented by dusty horns, chiming steel guitars, haunting guitar riffs and mellow hand percussion. The smoky/soul piercing vocals of Tom Wilson follow the same cadence with beautiful surprises of accompaniment by Margo Timmons (Cowboy Junkies).

Dark subjects are rendered in most of the lyrics, yet they do not leave the listener depressed. The lyrics are more an offering of thought for one to make your own conclusions from. “Lucifer’s Blues” is a good old fashioned face off with the devil (reminiscent of Charlie Daniels Band, House of the Rising Sun) and “Parkland” speaks about the assignation of JFK…which may have inspired the band’s name or vice versa. “I’m Going to Stay That Way” tells the age old yarn of losing your mind over lost love and includes Margo Timmons, duet style. The stand out track, “Angels in the Wilderness” questions spirituality with its soulful saunter and sweet lingering strings.

So, if you are in need of a humble companion in your journey down any shadowy path, grab yourself Lee Harvey Osmond, partner, and ride on out into the stormy night.

01. The Love of One
02. Cuckoo's Nest
03. Queen Bee
04. Blade of Grass e 05. I'm Going To Say That Way
06. Lucifer's Blues
07. Parkland
08. Summer Girl
09. Angels In The Wilderness
10. I Can't Stand It



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